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home·artworks·Courtship in Narni
Courtship in Narni by Michele Cammarano

plate no. 1489

Courtship in Narni

Michele Cammarano, 1899

oil, canvasRealismgenre paintingfiguresarchitecturelandscapevillagemountainssky
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding atmospheric perspective to create depth. It also provides practice in rendering textures of stone and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Block in the large areas of color, starting with the sky and the distant landscape.

  3. step 03

    Establish the values of the building and the wall, paying attention to the light and shadow.

  4. step 04

    Begin to define the figures, focusing on their proportions and clothing.

  5. step 05

    Add details to the architecture, such as the stones and the vegetation growing on the building.

  6. step 06

    Refine the landscape, adding details to the trees and the distant mountains.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · cerulean blue · yellow ochre

secondary · burnt sienna · cadmium red light · sap green

Mix various shades of gray and brown by combining raw umber, burnt sienna, and titanium white. Create atmospheric perspective by lightening and desaturating colors in the distance.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering stone texture
  • ·glazing
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Getting figure proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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