apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cossack with red shirt
Cossack with red shirt by Vasily Surikov

plate no. 1168

Cossack with red shirt

Vasily Surikov, 1901

oilRealismsketch and studyportraitmanfigureclothingnecklacehead
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and rendering form with visible brushstrokes. It also provides practice in mixing skin tones and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and necklace.

  2. step 02

    Block in the main areas of color: skin tones, red shirt, hair, and background.

  3. step 03

    Start refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the hair, using short, broken brushstrokes.

  5. step 05

    Work on the red shirt, capturing the folds and variations in color.

  6. step 06

    Add the details of the necklace and cross.

  7. step 07

    Adjust the background to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing burnt umber, white, and small amounts of red and yellow ochre. The red shirt is a mix of cadmium red and burnt umber, lightened with white.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color.
  • →Making the background too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy