apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Corner of Moscow
Corner of Moscow by Sergey Ryabchenko

plate no. 5890

Corner of Moscow

Sergey Ryabchenko, 1957

etchingRealismcityscapecityscapebuildingstreessnowarchitecturewinter
some experience helpful

Recreating this painting will help students develop skills in creating depth through line work and value, as well as understanding atmospheric perspective. It also provides practice in rendering complex architectural details with a limited palette.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of buildings and trees.

  2. step 02

    Establish the horizon line and the basic perspective of the buildings.

  3. step 03

    Begin adding darker values to the foreground elements, using hatching and cross-hatching to create texture.

  4. step 04

    Gradually build up the values in the middle ground, paying attention to the details of the architecture.

  5. step 05

    Use lighter values and less detail for the background elements to create a sense of depth.

  6. step 06

    Add details to the trees, using thin lines to represent branches and twigs.

  7. step 07

    Indicate snow on the roofs and ground with white or light gray.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric scene.

color palette

primary · black · white · gray

secondary · dark gray · light gray

Achieve various shades of gray by mixing black and white in different proportions. Use more white for highlights and more black for shadows.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brush
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Creating too much contrast in the background, which can pull the viewer's eye away from the foreground.
  • →Failing to establish a clear value structure, which can make the image look muddy.
  • →Not varying the line weight, which can make the image look flat and lifeless.

materials

surface · smooth drawing paper

required

  • ·white paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·ruler
  • ·fine liner pen
  • ·black ink
  • ·various sized brushes

optional

  • ·kneaded eraser
  • ·tortillon
  • ·watercolor pencils

Use a variety of pencil grades to achieve different values. Experiment with different hatching and cross-hatching techniques to create texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy