apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Corn Field
Corn Field by Mihaly Munkacsy

plate no. 7443

Corn Field

Mihaly Munkacsy, 1874

oilRealismlandscapefieldskytreesfiguresharvestcrops
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create depth and texture. It also encourages simplification of complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and major shapes of the field, trees, and sky.

  2. step 02

    Establish the sky with a thin wash of muted yellows, grays, and whites, blending softly.

  3. step 03

    Block in the distant treeline with dark greens and browns, keeping it simple and blurred.

  4. step 04

    Apply a base layer of warm yellows and browns for the field, varying the tones to create depth.

  5. step 05

    Add darker values in the foreground to suggest shadows and undulations in the ground.

  6. step 06

    Use broken color techniques with short, choppy brushstrokes to represent the texture of the crops.

  7. step 07

    Indicate the figures and harvest details with simplified shapes and contrasting values.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and distance.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · sap green · ultramarine blue

Mix muted yellows and grays for the sky by combining white, yellow ochre, and small amounts of blue and umber. Achieve the field colors by blending yellow ochre, burnt umber, and touches of green.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·value blocking

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the subtle color variations in the field and sky.
  • →Making the treeline too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·burnt umber
  • ·titanium white
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-textured canvas to enhance the broken color effect. Acrylics are a good choice for beginners due to their fast drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy