apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cordeiro Pascal
Cordeiro Pascal by Josefa de Obidos

plate no. 4446

Cordeiro Pascal

Josefa de Obidos, 1670

oilBaroqueanimal paintinglambflowersgrapesframestill life
experienced study

Recreating this painting will help students develop skills in rendering textures, particularly the wool of the lamb, and in creating depth through subtle value changes in a dark background. It also provides practice in painting floral details and creating a focal point.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark ground (e.g., burnt umber wash).

  2. step 02

    Sketch the basic shapes of the lamb, frame, and floral arrangement.

  3. step 03

    Block in the main values: darkest areas first, then mid-tones.

  4. step 04

    Begin building up the texture of the lamb's wool with short, broken strokes.

  5. step 05

    Paint the flowers and grapes, paying attention to their individual forms and colors.

  6. step 06

    Refine the details of the frame, adding highlights and shadows.

  7. step 07

    Add final highlights to the lamb and flowers to create a sense of luminosity.

  8. step 08

    Glaze to unify the colors and deepen shadows.

color palette

primary · ivory black · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · burnt umber

Mix various shades of white with small amounts of yellow ochre and burnt umber to create the lamb's wool. Use red mixed with black for the darker reds, and red with white for the lighter petals.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Making the lamb too bright against the dark background.
  • →Losing the form of the lamb in the wool texture.
  • →Not creating enough contrast in the floral arrangement.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne