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home·artworks·Coquelin Cadet
Coquelin Cadet by Anders Zorn

plate no. 2370

Coquelin Cadet

Anders Zorn, 1889

oil, canvasRealismportraitportraitfiguremanclothinghistoricalhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with loose brushstrokes. It also offers practice in creating depth and atmosphere using a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, such as the skin tones, clothing, and background, using broad brushstrokes.

  4. step 04

    Refine the facial features, paying attention to the highlights and shadows that define the form.

  5. step 05

    Add details to the clothing and hands, capturing the textures and folds with varied brushstrokes.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights and details to the face and hands to draw the viewer's eye.

  8. step 08

    Review and adjust the overall composition, ensuring that the focal point is clear and the values are balanced.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ivory black · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken values with burnt umber and black. Use thin washes for shadows and thicker paint for highlights.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·value studies

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to establish a strong value structure, leading to a flat and lifeless painting.
  • →Using too many colors, creating a muddy and confusing palette.
  • →Ignoring the importance of edges, resulting in a lack of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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