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home·artworks·Copy after Jules Breton's 'Le Depart les Champs'
Copy after Jules Breton's 'Le Depart les Champs' by Eastman Johnson

plate no. 7673

Copy after Jules Breton's 'Le Depart les Champs'

Eastman Johnson, 1865

oilRealismgenre paintingfiguresfieldchildrenlandscapewagonchurch
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and capturing the effects of light and atmosphere. It also provides practice in mixing subtle color variations to depict natural textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the large areas of color, starting with the sky and field.

  3. step 03

    Establish the basic values and forms of the figures.

  4. step 04

    Develop the details of the figures, paying attention to anatomy and clothing.

  5. step 05

    Add details to the field, including individual stalks of wheat and variations in color.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details, such as the flowers and the church in the background.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium red

Achieve the golden hues of the field by mixing yellow ochre, raw umber, and a touch of burnt sienna. Use ultramarine blue and white to create the soft sky. Mix small amounts of red into the skin tones to give them life.

techniques

  • ·blocking in
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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