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home·artworks·Constantinople (Now Istanbul), the Hippodrome
Constantinople (Now Istanbul), the Hippodrome by Ippolito Caffi

plate no. 7411

Constantinople (Now Istanbul), the Hippodrome

Ippolito Caffi, 1843

oilRealismgenre paintingcityscapearchitecturefiguresskysunsethistorical
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and shadow on architectural forms. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, minarets, and figures.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main color areas of the sky, buildings, and ground, using thin washes of color.

  4. step 04

    Develop the sky with blended layers of orange, yellow, and blue, creating a sense of depth and atmosphere.

  5. step 05

    Add details to the buildings and minarets, paying attention to their shapes and proportions.

  6. step 06

    Paint the figures in the foreground and background, using small brushstrokes to suggest movement and activity.

  7. step 07

    Refine the details of the landscape, adding trees, bushes, and other elements to create a sense of realism.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and dimension.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · cadmium orange · raw sienna

Achieve the sky colors by mixing yellow ochre, cadmium orange, and titanium white. Use burnt umber and ultramarine blue for shadows and darker areas.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated or intense.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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