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home·artworks·Connop Thirlwall, Bishop of St David's
Connop Thirlwall, Bishop of St David's by Frank Holl

plate no. 7412

Connop Thirlwall, Bishop of St David's

Frank Holl, 1865

oil, canvasRealismportraitportraitfiguremanbishopclothingchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expressing character through subtle variations in tone and brushwork. It also provides practice in creating a sense of depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thinned paint.

  3. step 03

    Begin refining the facial features, paying close attention to the subtle shifts in value that define the planes of the face.

  4. step 04

    Develop the details of the clothing, using loose brushstrokes to suggest texture and form.

  5. step 05

    Work on the hands, carefully observing the shapes and proportions.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add final highlights and details to enhance the sense of realism and depth.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values as needed.

color palette

primary · raw umber · ivory black · titanium white

secondary · burnt sienna · yellow ochre

Achieve the subtle skin tones by mixing white with small amounts of burnt sienna and yellow ochre. Use raw umber and black to create the dark tones in the clothing and background.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the subtle shifts in value that define the form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-tooth canvas to allow for a good balance between detail and texture. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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