apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Commoner at the spinning wheel
Commoner at the spinning wheel by Vincenzo Migliaro

plate no. 3206

Commoner at the spinning wheel

Vincenzo Migliaro, 1905

oil, canvasRealismgenre paintingfigurewomangardencolumnflowersspinning wheel
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a natural setting and capturing the subtle interplay of light and shadow using broken color techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements of the background.

  2. step 02

    Establish the overall color scheme by laying in thin washes of color, paying attention to the warm and cool tones.

  3. step 03

    Begin building up the form of the figure, gradually adding details and refining the shapes.

  4. step 04

    Work on the background elements, such as the column, flowers, and foliage, using a broken color technique to create texture and depth.

  5. step 05

    Pay close attention to the light source and how it affects the colors and values in the painting.

  6. step 06

    Add the spinning wheel and other smaller details, ensuring they are in proportion and perspective.

  7. step 07

    Refine the overall composition and make any necessary adjustments to the colors and values.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson

Achieve the warm, luminous tones by mixing yellow ochre, burnt sienna, and white. Use small amounts of blue and crimson to create cooler shadows and accents.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Overworking the painting and losing the freshness of the initial washes.
  • →Failing to accurately capture the proportions and anatomy of the figure.
  • →Ignoring the subtle variations in color and value.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: yellow ochre, burnt sienna, titanium white, ultramarine blue, alizarin crimson
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Pre-toned canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy