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home·artworks·Colonel (later Brigadier Sir) John Kinninmont Dunlop, Assistant Adjutant General of the Territorial Army
Colonel (later Brigadier Sir) John Kinninmont Dunlop, Assistant Adjutant General of the Territorial Army by Arthur Pan

plate no. 4897

Colonel (later Brigadier Sir) John Kinninmont Dunlop, Assistant Adjutant General of the Territorial Army

Arthur Pan, 1937

oil, canvasRealismportraitportraitfiguremilitaryuniformmanclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow on the face and clothing. It also provides practice in color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of key features.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure of the painting.

  3. step 03

    Refine the facial features, paying close attention to the highlights and shadows to create a sense of depth.

  4. step 04

    Develop the details of the uniform, including the buttons, ribbons, and other embellishments.

  5. step 05

    Paint the coat, focusing on the folds and drapery to create a sense of volume.

  6. step 06

    Add the gloves and other accessories, paying attention to the texture and details.

  7. step 07

    Refine the background, creating a subtle gradient to enhance the sense of depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue · raw sienna

Mix skin tones using white, red, yellow ochre, and a touch of burnt umber. Achieve the coat color by mixing black, white, and a touch of blue. Use glazes of red and brown to create depth in the shadows.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·value studies
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face and body
  • →Overblending, resulting in a flat appearance
  • →Neglecting the subtle color variations in the skin tones
  • →Inaccurate rendering of the fabric folds and textures

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·oil paints

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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oil painting for beginners →how to learn by studying the masters →
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