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Cocos by Francisco Oller

plate no. 8805

Cocos

Francisco Oller, 1893

oilRealismstill lifecoconutsstill lifefruittablebranchesfood
some experience helpful

Recreating this painting will help students develop skills in rendering rounded forms with subtle gradations and creating realistic textures using layering and glazing techniques. It also provides practice in accurately depicting complex organic shapes and spatial relationships.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement and proportions of the coconuts.

  2. step 02

    Establish the background color with a thin wash of muted green-gray.

  3. step 03

    Block in the main color masses of the coconuts, using a base layer of green and brown.

  4. step 04

    Begin layering and blending to create the rounded forms and subtle variations in color and value.

  5. step 05

    Add details such as the texture of the coconut husks and the highlights on the cut coconut.

  6. step 06

    Paint the branches, paying attention to their intricate shapes and shadows.

  7. step 07

    Refine the details and adjust the values to create depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the objects.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve the various green tones by mixing sap green with raw umber and titanium white. Use yellow ochre and burnt sienna to create the warmer tones in the coconut husks and branches.

techniques

  • ·glazing
  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the blending, resulting in a flat, lifeless appearance.
  • →Failing to accurately capture the subtle variations in color and value.
  • →Ignoring the importance of highlights and shadows in creating form.
  • →Getting lost in the details before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (sap green, raw umber, titanium white, yellow ochre, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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