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home·artworks·Clown au banjo
Clown au banjo by Jean Metzinger

plate no. 7349

Clown au banjo

Jean Metzinger, 1924

oilNeoclassicismgenre paintingfigureclownbanjocurtainsbuildingfloor tiles
some experience helpful

Recreating this painting will allow students to practice smooth blending techniques and color mixing to achieve the subtle gradations in the figure's clothing and face. Students will also learn about composition and creating a focal point.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, banjo, and background elements.

  2. step 02

    Block in the main color areas for the figure's clothing, hat, and skin tone.

  3. step 03

    Establish the background colors, including the curtains, building, and floor tiles.

  4. step 04

    Begin blending the colors on the figure's clothing to create smooth transitions and subtle shading.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, paying attention to the subtle highlights and shadows.

  6. step 06

    Paint the banjo, focusing on the details of the strings, frets, and body.

  7. step 07

    Refine the background elements, adding details to the curtains, building windows, and floor tiles.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and dimension of the painting.

color palette

primary · turquoise · flesh tone · burnt umber

secondary · rose · yellow ochre · black

Mix turquoise by combining green and blue with a touch of white. Achieve flesh tones by blending red, yellow, and white, adjusting the proportions for warmth or coolness.

techniques

  • ·smooth blending
  • ·color mixing
  • ·layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions in the initial sketch.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle highlights and shadows that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use high-quality paints for best results. Consider using a medium to improve blending and drying time.

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