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home·artworks·Clara (Clara J. Mather)
Clara (Clara J. Mather) by Thomas Eakins

plate no. 0011

Clara (Clara J. Mather)

Thomas Eakins, 1900

oil, canvasRealismportraitportraitfigurewomandresshairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value transitions to create form. It also provides practice in capturing a likeness and conveying mood through facial expression.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, neck, and shoulders.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Begin blocking in the skin tones, focusing on the subtle shifts in value.

  4. step 04

    Refine the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using a variety of brushstrokes to create texture.

  6. step 06

    Paint the dress, using darker values to create depth and shadow.

  7. step 07

    Blend the edges of the forms to create a soft, natural look.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · ultramarine blue · alizarin crimson

Mix skin tones by combining titanium white, yellow ochre, and a touch of burnt umber. Use ultramarine blue and alizarin crimson to create subtle variations in the shadows.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong, especially the placement of the eyes and nose.
  • →Overworking the painting and losing the freshness of the initial brushstrokes.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the paint to adhere to.

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oil painting for beginners →how to learn by studying the masters →
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