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home·artworks·Church of San Pietro in Portovenere
Church of San Pietro in Portovenere by Vincenzo Cabianca

plate no. 4046

Church of San Pietro in Portovenere

Vincenzo Cabianca, 1860

oil, canvasRealismgenre paintingarchitecturefiguresarchwayseabuildingsstone
some experience helpful

Recreating this painting will help students develop skills in rendering textures of stone and fabric, as well as understanding atmospheric perspective and light/shadow relationships.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the archway, the figures, and the horizon line.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Establish the dark and light patterns on the stone archway, paying attention to the perspective.

  4. step 04

    Add details to the figures, refining their shapes and clothing.

  5. step 05

    Develop the texture of the stone using dry brush techniques.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add the final highlights and shadows to enhance the sense of depth.

  8. step 08

    Include the small details like the birds to add interest.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix various shades of gray and brown by combining raw umber, ivory black, and titanium white. Add small amounts of yellow ochre or burnt sienna for warmth, and ultramarine blue for coolness.

techniques

  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a clear value structure
  • →Ignoring the effects of atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2-6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas to help create texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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