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home·artworks·Christ the Good Shepherd
Christ the Good Shepherd by Bartolomé Esteban Murillo

plate no. 1257

Christ the Good Shepherd

Bartolomé Esteban Murillo, 1660

oil, canvasBaroquegenre paintingfiguresheeplandscapeskyfoliagecolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering soft textures, and creating atmospheric perspective. It also provides practice in depicting realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sheep, and landscape elements.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the figure and sheep, paying attention to proportions and anatomy.

  4. step 04

    Begin layering in darker values to define shadows and create form.

  5. step 05

    Gradually build up the mid-tones and highlights, blending carefully to create soft transitions.

  6. step 06

    Add details to the face, hair, and clothing, refining the likeness and adding texture.

  7. step 07

    Refine the details of the sheep's wool and the surrounding landscape.

  8. step 08

    Add final highlights and glazes to enhance the overall luminosity and depth.

color palette

primary · titanium white · raw umber · burnt sienna · alizarin crimson

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and white to create the cool tones in the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by over-mixing
  • →Failing to capture the soft, luminous quality of the original
  • →Incorrect proportions of the figure and sheep

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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