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home·artworks·Christ on the Cross with the Virgin, Mary Magdalene, St. John and St. Francis of Paola
Christ on the Cross with the Virgin, Mary Magdalene, St. John and St. Francis of Paola by Nicolas Tournier

plate no. 1880

Christ on the Cross with the Virgin, Mary Magdalene, St. John and St. Francis of Paola

Nicolas Tournier, 1628

oil, canvasTenebrismreligious paintingcrucifixionfiguresreligiouscrossrobesdark background
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and understanding dramatic chiaroscuro. It also provides practice in creating a focal point through light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the cross.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and the cross with simplified color masses.

  4. step 04

    Begin building up the light areas on the figures, paying attention to the anatomy and drapery folds.

  5. step 05

    Develop the highlights and shadows on the cross, creating a sense of depth and texture.

  6. step 06

    Refine the details of the faces and hands, capturing the expressions and gestures.

  7. step 07

    Add the final touches, such as the crown of thorns and the inscription on the cross.

  8. step 08

    Glaze the painting to unify the colors and enhance the shadows.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · ultramarine blue · yellow ochre · raw sienna

Mix various shades of brown and black for the background and shadows. Use white to create highlights and mix with other colors for lighter tones. Achieve the red robes by mixing cadmium red with burnt umber and a touch of black for shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·underpainting

common pitfalls

  • →Incorrect proportions of the figures
  • →Overworking the details too early
  • →Failing to create a strong sense of depth
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a high-quality canvas primed with gesso. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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