
plate no. 1143
Recreating this painting will help students develop skills in chiaroscuro (dramatic light and shadow) and portraiture, specifically capturing realistic skin tones and facial expressions. It also provides practice in rendering textures like fabric and the crown of thorns.
technical profile
approach — 8 steps
Prepare the canvas with a dark, warm underpainting (burnt umber or similar).
Sketch the basic composition, focusing on proportions and placement of the figure.
Establish the main areas of light and shadow using thin washes of paint.
Begin building up the skin tones, layering light and dark values to create form.
Paint the drapery, paying attention to folds and highlights.
Add details to the face, focusing on the eyes, nose, and mouth.
Render the crown of thorns, capturing its texture and form.
Refine the overall painting, adjusting values and adding final details.
color palette
primary · burnt umber · ivory black · titanium white · cadmium red
secondary · yellow ochre · raw sienna
Achieve skin tones by mixing white, red, umber, and a touch of yellow ochre. Use black and umber for shadows, and white with a touch of yellow for highlights. Mix red with umber and black for the drapery.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth texture for easier blending. Consider using a toned canvas to help establish the overall value range.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

St. Simon
Georges de la Tour

St. Bartholomew
Jusepe de Ribera

The Triangle Player
Georges de la Tour

Glowers in a sculpted vase on a stone plinth
Mario Nuzzi

St. Jerome
Jusepe de Ribera

A Mother Entrusting Her Sons to Christ
Mattia Preti

Adoration of the Magi in a wreath of flowers
Mario Nuzzi

St. Philip
Jusepe de Ribera