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home·artworks·Christ Embracing St Bernard
Christ Embracing St Bernard by Francesco Ribalta

plate no. 4132

Christ Embracing St Bernard

Francesco Ribalta, 1627

oilBaroquereligious paintingfigurereligiousmaleclothcrossembrace
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating dramatic lighting effects using chiaroscuro. It also provides practice in capturing emotional expression through subtle details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the forms with layers of paint, focusing on the light and shadow.

  4. step 04

    Pay close attention to the folds and drapery of the monk's robe, using highlights and shadows to create depth.

  5. step 05

    Refine the details of the faces, capturing the expressions of Christ and St. Bernard.

  6. step 06

    Develop the background with dark, muted tones, allowing the figures to stand out.

  7. step 07

    Add final highlights and details to enhance the overall realism and emotional impact.

  8. step 08

    Glaze the painting to unify the colors and create a sense of depth.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and ivory black for shadows, and white for highlights. Mix ivory black with burnt sienna to create the dark background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·scumbling
  • ·blending

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Creating muddy colors by overmixing.
  • →Not paying enough attention to the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-sized canvas (18x24 inches or larger) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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