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Christ embracing Saint Bernard by Francesco Ribalta

plate no. 6049

Christ embracing Saint Bernard

Francesco Ribalta

oilBaroquereligious paintingfiguresreligious scenecrucifixdraperyhuman anatomydark background
experienced study

Recreating this painting will help students develop skills in rendering human anatomy with light and shadow, as well as creating realistic drapery folds. It also provides practice in building up layers of paint to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the cross.

  2. step 02

    Establish the dark background using thin washes of dark brown and black.

  3. step 03

    Block in the main areas of light and shadow on the figures, focusing on the overall form.

  4. step 04

    Start building up the drapery of Saint Bernard's robe, paying attention to the folds and highlights.

  5. step 05

    Refine the anatomy of Christ, focusing on the musculature and subtle shifts in value.

  6. step 06

    Add details to the faces, capturing the expressions and individual features.

  7. step 07

    Glaze thin layers of color to enhance the luminosity and depth of the painting.

  8. step 08

    Add final highlights and details to complete the piece.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm skin tones, and add a touch of cadmium red light for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle shifts in value on the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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