apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Christ Cleansing the Temple
Christ Cleansing the Temple by Luca Giordano

plate no. 6186

Christ Cleansing the Temple

Luca Giordano

oilBaroquereligious paintingfigurestemplecolumnsanimalsmarketreligious scene
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, understanding dramatic lighting, and capturing movement and emotion through brushwork and composition. It also provides practice in rendering realistic human anatomy and drapery.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on value relationships.

  3. step 03

    Establish the light source and begin to build up highlights and shadows on the figures and architecture.

  4. step 04

    Develop the details of the faces and clothing, paying attention to the folds and textures.

  5. step 05

    Add the animals and other elements of the market scene, ensuring they are integrated into the overall composition.

  6. step 06

    Refine the brushwork and add final details to create a sense of depth and realism.

  7. step 07

    Glaze with thin layers of color to unify the painting and enhance the luminosity.

  8. step 08

    Add final highlights and shadows to create a dramatic effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use ultramarine blue and cadmium red to create muted purples and browns for shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·alla prima
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6, 8)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne