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home·artworks·Christ at the Pool of Bethesda
Christ at the Pool of Bethesda by Bartolomé Esteban Murillo

plate no. 8574

Christ at the Pool of Bethesda

Bartolomé Esteban Murillo, 1670

oil, canvasBaroquereligious paintingfiguresarchitecturereligious scenepooldoglight
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It will also improve their understanding of Baroque composition and chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background architecture and figures, paying attention to atmospheric perspective.

  4. step 04

    Begin to refine the figures in the foreground, focusing on accurate anatomy and drapery folds.

  5. step 05

    Establish the light source and begin to build up the highlights and shadows.

  6. step 06

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  7. step 07

    Refine the colors and values, ensuring that the painting has a sense of depth and atmosphere.

  8. step 08

    Add final details and glazes to create a polished and luminous finish.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures and architecture.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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