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home·artworks·Christ at the Home of Mary and Martha
Christ at the Home of Mary and Martha by Henry Ossawa Tanner

plate no. 8071

Christ at the Home of Mary and Martha

Henry Ossawa Tanner, 1905

oilRealismreligious paintingfigurestablecandlesinteriorreligious scenefood
experienced study

Recreating this painting will help students understand how to depict dramatic lighting and create a sense of atmosphere using a limited color palette. It also offers practice in painting figures in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the table.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the main light source (candles) and the areas directly illuminated by them.

  4. step 04

    Begin building up the mid-tones, paying attention to how light falls on the figures and objects.

  5. step 05

    Refine the details of the faces and hands, using subtle variations in color and value.

  6. step 06

    Add highlights to the candles, tablecloth, and other reflective surfaces.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow light · ultramarine blue

Achieve the warm, glowing light by mixing yellows and browns with white. Use small amounts of blue to create cooler shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·impasto

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →how to learn by studying the masters →
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