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home·artworks·Christ and Mary Magdalene, a Finnish Legend
Christ and Mary Magdalene, a Finnish Legend by Albert Edelfelt

plate no. 3300

Christ and Mary Magdalene, a Finnish Legend

Albert Edelfelt

oilRealismreligious paintingfigureslandscapetreeslakefoliagereligious
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding atmospheric perspective to create depth. It also provides practice in mixing subtle color variations to depict light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large shapes of color, starting with the sky and lake, then the foliage and ground.

  3. step 03

    Establish the basic values of the figures, paying attention to the light source.

  4. step 04

    Develop the details of the background, including the trees and distant shore.

  5. step 05

    Refine the figures, adding details to the faces, clothing, and hands.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the subtle color variations in the foliage and ground.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · titanium white · raw umber · yellow ochre · burnt sienna

secondary · ultramarine blue · ivory black · cadmium yellow light

Mix various shades of brown and green by combining raw umber, yellow ochre, and ultramarine blue. Use titanium white to lighten colors and create highlights. Add small amounts of ivory black to darken colors and create shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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