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home·artworks·Chioggia women along the pier
Chioggia women along the pier by Alessandro Zezzos

plate no. 4649

Chioggia women along the pier

Alessandro Zezzos

oilRealismgenre paintingfigureswaterboatsbuildingscityscapepier
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a natural setting and capturing the atmospheric perspective of a cityscape. Students will also learn to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of figures and buildings.

  2. step 02

    Establish the main value ranges by blocking in the darks and lights with thinned paint.

  3. step 03

    Begin refining the shapes of the figures and buildings, paying attention to their relative sizes and proportions.

  4. step 04

    Mix and apply the local colors of the figures' clothing, the buildings, and the water.

  5. step 05

    Add details to the figures' faces and clothing, using small brushstrokes and subtle color variations.

  6. step 06

    Create the illusion of depth by using cooler colors and softer edges for the distant buildings and boats.

  7. step 07

    Add highlights to the water and the figures' clothing to create a sense of light and atmosphere.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and harmonious painting.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing complementary colors and adding white to lighten the values. Use thin washes of color to build up the layers and create depth.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Failing to establish a strong value structure, resulting in a flat and uninteresting painting.
  • →Using colors that are too saturated, creating a jarring and unrealistic effect.
  • →Neglecting the atmospheric perspective, making the distant objects appear too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 filbert brush

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for a variety of brushstrokes. Pre-tone the canvas with a thin wash of burnt umber to create a warm underpainting.

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oil painting for beginners →how to learn by studying the masters →
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