apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Children Playing in the Yard
Children Playing in the Yard by Pekka Halonen

plate no. 2439

Children Playing in the Yard

Pekka Halonen, 1909

oilRealismgenre paintingchildrenlandscapebuildingtreesrockyard
some experience helpful

This painting offers practice in capturing light and shadow on a large form (the rock) and rendering figures in a landscape. Students will also learn to create depth through color and brushstroke variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the rock, building, and figures.

  2. step 02

    Block in the large shapes of color: sky, rock, grass, building, and figures.

  3. step 03

    Establish the light and shadow on the rock, using cool blues and grays for shadows and warmer tones for highlights.

  4. step 04

    Develop the background trees and foliage with loose, varied brushstrokes.

  5. step 05

    Refine the figures, paying attention to their forms and the folds in their clothing.

  6. step 06

    Add details to the building, such as windows and roof lines.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium red · viridian green

Mix various shades of gray for the rock by combining white, blue, and a touch of burnt sienna. Achieve the greens by mixing yellow ochre and viridian green, adjusting the ratio for different values.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, losing the loose, impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the subtle color variations in the rock and grass.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy