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home·artworks·Children at the Sea
Children at the Sea by Attilio Pratella

plate no. 3662

Children at the Sea

Attilio Pratella

oilRealismgenre paintingseawavesfiguresbuildingsskybeach
some experience helpful

Recreating this painting will help students develop skills in depicting movement and texture, particularly in the waves and water, as well as capturing atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the position of the buildings, and the main wave structures.

  2. step 02

    Block in the large areas of color: sky, sea, land, and buildings, using thin washes.

  3. step 03

    Establish the dark and light values in the waves, focusing on the foam and shadows.

  4. step 04

    Add details to the buildings, including the structure of the pier and the individual buildings.

  5. step 05

    Paint the figures, paying attention to their proportions and interaction with the water.

  6. step 06

    Refine the details in the foreground, including the beach and the smaller waves.

  7. step 07

    Add highlights to the waves and buildings to create a sense of light and depth.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · viridian green · cadmium red · raw umber

Mix various shades of gray for the sky and sea by combining white, blue, and a touch of brown. Use yellow ochre and burnt sienna to create the warm tones of the buildings and land. Introduce small amounts of red and green for accents.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to capture the movement of the water.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the atmospheric perspective, which can make the background appear too close.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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