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home·artworks·Child at a Writing Desk
Child at a Writing Desk by Alexandre Antigna

plate no. 9980

Child at a Writing Desk

Alexandre Antigna

oil, canvasRealismportraitfigureportraitdeskwritingclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and light direction.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure and desk, paying attention to proportions and composition.

  2. step 02

    Block in the main areas of color, starting with the background and then the larger shapes of the figure.

  3. step 03

    Establish the light and shadow patterns on the face and clothing, using thin washes of color.

  4. step 04

    Begin to refine the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Develop the texture and folds of the clothing, using slightly thicker paint and varied brushstrokes.

  6. step 06

    Add details to the desk and writing materials, paying attention to the wood grain and the texture of the paper.

  7. step 07

    Refine the hair, using small, broken brushstrokes to create a sense of volume and movement.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre · ivory black

Mix skin tones by blending white, red, yellow ochre, and a touch of blue. Use raw umber and white for the desk, adding touches of burnt sienna for warmth. Achieve the background color by mixing white, blue, and a small amount of umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating harsh lines or edges.
  • →Not paying attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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