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home·artworks·Chelsea Workhouse: A Bible Reading (Our Poor)
Chelsea Workhouse: A Bible Reading (Our Poor) by James Charles

plate no. 7502

Chelsea Workhouse: A Bible Reading (Our Poor)

James Charles, 1877

oilRealismgenre paintingfiguresinteriortablewindowbooksplants
experienced study

Recreating this painting will help students develop skills in rendering complex figures in an interior space and capturing subtle light and shadow variations to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background and architectural elements, paying attention to perspective and light.

  4. step 04

    Refine the figures, adding details to their faces, clothing, and hands.

  5. step 05

    Work on the still life elements on the table, capturing their textures and forms.

  6. step 06

    Adjust the lighting and shadows to create a sense of depth and realism.

  7. step 07

    Add final details and highlights to enhance the overall effect.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to color, value, and composition.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · sap green

Mix various shades of gray and brown by combining raw umber, ivory black, and titanium white. Use yellow ochre to warm up the grays and browns. Create subtle greens by mixing yellow ochre and sap green.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and value structure.
  • →Failing to accurately capture the proportions and anatomy of the figures.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Ignoring the subtle color variations and nuances in the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Pre-toned canvas with a burnt umber wash can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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