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home·artworks·Charles II of Spain
Charles II of Spain by Juan Carreño de Miranda

plate no. 6054

Charles II of Spain

Juan Carreño de Miranda

oilBaroqueportraitfigureportraitdraperyliontableinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, lion, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes of paint.

  3. step 03

    Develop the background, focusing on the drapery and the suggestion of architectural elements.

  4. step 04

    Work on the figure, starting with the face and hands, gradually building up layers of color and detail.

  5. step 05

    Define the lion sculpture, paying attention to its form and texture.

  6. step 06

    Refine the details of the clothing and accessories, such as the hat and the paper in the figure's hand.

  7. step 07

    Adjust the overall composition, ensuring that all elements are working together harmoniously.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the dark, rich tones by mixing umbers and black. Use white and small amounts of yellow ochre and red to create skin tones. Mix blue and umber for cooler shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a canvas with a smooth surface to facilitate blending. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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