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home·artworks·Charles II, King of Spain, on Horseback
Charles II, King of Spain, on Horseback by Luca Giordano

plate no. 2475

Charles II, King of Spain, on Horseback

Luca Giordano, 1694

oilBaroqueportraithorsefigureskycloudsarmorportrait
experienced study

Recreating this painting will help students develop skills in rendering complex forms, creating dynamic compositions, and understanding atmospheric perspective. It also provides practice in capturing the texture of different materials like metal and fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the horse, rider, and other figures.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the sky, clouds, horse, and figures.

  3. step 03

    Develop the values within each area, paying attention to the light and shadow to create form.

  4. step 04

    Refine the details of the horse and rider, including the armor, saddle, and facial features.

  5. step 05

    Add details to the background figures and landscape, using softer edges to suggest distance.

  6. step 06

    Work on the clouds and sky, blending colors to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and details to the figures in the clouds, paying attention to the drapery and facial expressions.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and dynamic painting.

color palette

primary · burnt umber · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · ivory black · raw sienna

Achieve the sky colors by mixing ultramarine blue and titanium white, adding small amounts of yellow ochre for warmth. Mix browns using burnt umber, raw sienna, and ivory black, adjusting the ratios to create different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Getting the proportions of the horse and rider wrong.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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