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home·artworks·Charles II (1630–1685)
Charles II (1630–1685) by Mary Beale

plate no. 1935

Charles II (1630–1685)

Mary Beale

oil, panelBaroqueportraitportraitfigureclothinghairlacehistorical
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering details in clothing and hair. It also provides practice in creating subtle value changes to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: skin tones, hair, clothing, and background.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in value and color.

  4. step 04

    Work on the hair, using layers of dark and light browns to create depth and texture.

  5. step 05

    Add details to the clothing, including the lace collar and any decorative elements.

  6. step 06

    Refine the facial features, focusing on capturing the likeness of the subject.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red. Darken values with raw umber and ivory black. Use ultramarine blue to cool down skin tones or create shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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