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home·artworks·Charles De Saint Albin, Archbishop of Cambrai
Charles De Saint Albin, Archbishop of Cambrai by Hyacinthe Rigaud

plate no. 6755

Charles De Saint Albin, Archbishop of Cambrai

Hyacinthe Rigaud, 1723

oilBaroqueportraitportraitfigureclothingbookarchitecturedrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as mastering the depiction of complex fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to the subtle variations in skin tone and the play of light on the face.

  4. step 04

    Develop the drapery, focusing on capturing the folds and textures of the fabric using a combination of blending and layering techniques.

  5. step 05

    Render the details of the clothing, including the lace, embroidery, and other embellishments.

  6. step 06

    Paint the book, capturing its form and texture.

  7. step 07

    Refine the background elements, such as the columns and curtain, adding depth and dimension to the composition.

  8. step 08

    Add final highlights and details to enhance the overall realism and visual impact of the painting.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · gold

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Create the fabric colors by mixing the primary colors with white or black to adjust the value.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure
  • →Oversimplifying the fabric folds
  • →Failing to capture the subtle variations in skin tone
  • →Ignoring the importance of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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