
plate no. 8784
Mary Beale, 1680
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones. It also offers practice in rendering fabrics and textures with a limited color palette.
technical profile
approach — 8 steps
Create a light sketch of the figure's outline and main features, paying attention to proportions.
Block in the background with a thin layer of dark brown.
Establish the basic skin tones using a mix of white, red, yellow, and brown.
Begin layering and blending the skin tones, focusing on highlights and shadows to create form.
Paint the hat and clothing, using darker shades of brown and red to define folds and shadows.
Add details to the face, such as the eyes, nose, and mouth, using small brushes.
Refine the edges and details of the figure, blending where necessary.
Add final highlights and shadows to enhance the overall effect.
color palette
primary · titanium white · burnt umber · cadmium red light · yellow ochre
secondary · ivory black
Skin tones are achieved by carefully mixing white, red, yellow, and brown. Vary the proportions to create different shades and highlights. The clothing is primarily a mix of burnt umber and cadmium red, with small amounts of white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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