apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Charles Ashdown
Charles Ashdown by Leon Underwood

plate no. 4286

Charles Ashdown

Leon Underwood, 1922

oilRealismportraitportraitfiguremanshirttreesbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with light and shadow. It also provides practice in using visible brushstrokes to create texture and interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then the skin tones.

  3. step 03

    Begin to refine the shapes and values of the face, paying attention to the light and shadow.

  4. step 04

    Add details to the clothing, using visible brushstrokes to create texture.

  5. step 05

    Refine the background, adding details to the trees and buildings.

  6. step 06

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to the face and clothing.

  8. step 08

    Sign the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · viridian · ultramarine blue · yellow ochre

Mix skin tones by combining white, red, and umber, adjusting the proportions to create different values. Use viridian and yellow ochre to create the green hues of the trees.

techniques

  • ·portraiture
  • ·blocking in
  • ·scumbling
  • ·dry brush
  • ·value study

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones.
  • →Ignoring the subtle variations in color and value.
  • →Making the brushstrokes too uniform.
  • →Losing the overall sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy