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home·artworks·Central Cafe
Central Cafe by Consuelo Hernández

plate no. 6066

Central Cafe

Consuelo Hernández

oil, woodRealismcityscapecafewindowreflectioncityscapefiguresaxophone
some experience helpful

This painting provides a good opportunity to practice painting reflections and layering transparent glazes to create depth. Students will learn to simplify complex scenes and capture the essence of light and atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the window frame and the major elements within the reflection.

  2. step 02

    Establish the main color blocks for the background cityscape, using thin washes of color.

  3. step 03

    Paint the window frame with its details, paying attention to the light and shadow.

  4. step 04

    Begin layering the reflection, starting with the darkest areas and gradually adding lighter tones.

  5. step 05

    Add the figure of the saxophone player, focusing on accurate proportions and values.

  6. step 06

    Refine the details of the cafe interior and the record cover.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmospheric perspective.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · sap green · cadmium yellow · raw umber

Mix various shades of green and brown for the cityscape and window frame. Use ultramarine blue and burnt sienna to create neutral grays for the reflections. Add white to lighten colors and create highlights.

techniques

  • ·glazing
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the reflection, making it too sharp and distracting.
  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Using colors that are too saturated, which can make the painting look artificial.
  • →Ignoring the subtle shifts in color and value that create atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt sienna, ultramarine blue, titanium white, yellow ochre, sap green, raw umber)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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