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home·artworks·Cellar Window in Heidelberger Schloß
Cellar Window in Heidelberger Schloß by Wilhelm Trübner

plate no. 5638

Cellar Window in Heidelberger Schloß

Wilhelm Trübner, 1871

oil, canvasRealismgenre paintingwindowdoorbuildingstonefoliagearchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth using value and color temperature. It also provides practice in rendering textures of stone and foliage with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the window and door.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: the reddish tones of the stone wall and the dark tones of the door.

  4. step 04

    Develop the texture of the stone wall using broken brushstrokes and varying shades of red, brown, and gray.

  5. step 05

    Add the foliage around the window, paying attention to the shapes and values of the leaves.

  6. step 06

    Refine the details of the window and door, adding highlights and shadows to create depth.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition and create atmosphere.

  8. step 08

    Add final details and highlights.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · sap green

Achieve the dark tones by mixing burnt umber and ivory black. Create the reddish hues by mixing cadmium red with burnt umber and raw sienna. Use ultramarine blue and white for the sky seen through the window.

techniques

  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to create enough contrast between the light and dark areas.
  • →Making the colors too saturated and unnatural.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for good texture. Consider using a toned canvas to start with a mid-value ground.

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oil painting for beginners →how to learn by studying the masters →
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