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home·artworks·Cattle on the Bank of the River
Cattle on the Bank of the River by Charles-Francois Daubigny

plate no. 1280

Cattle on the Bank of the River

Charles-Francois Daubigny, 1872

oil, panelRealismlandscaperivertreesskycloudscattlelandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose brushwork to suggest form and texture rather than precisely defining every detail. It's a good exercise in capturing the overall impression of a scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, riverbank, and large tree masses.

  2. step 02

    Block in the sky with light blues, whites, and touches of lavender, blending softly.

  3. step 03

    Establish the dark masses of the trees using a mix of dark greens and browns.

  4. step 04

    Paint the river with muted blues and grays, reflecting the sky.

  5. step 05

    Add the grassy bank with varying shades of green and brown, using broken brushstrokes.

  6. step 06

    Indicate the cattle with simple shapes and reddish-brown tones.

  7. step 07

    Add small details like highlights on the water and foliage.

  8. step 08

    Soften edges and blend areas to create atmospheric perspective.

color palette

primary · ultramarine blue · titanium white · burnt umber · sap green

secondary · yellow ochre · cadmium red · violet

Mix greens by blending sap green with burnt umber and yellow ochre. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking details and losing the loose, impressionistic feel.
  • →Creating overly saturated colors that look unnatural.
  • →Failing to establish a clear sense of depth and distance.
  • →Making the brushstrokes too uniform and lacking variety.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

A medium-sized canvas (e.g., 16x20 inches) is a good starting point. Use artist-grade oil paints for best results.

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related guides

oil painting for beginners →how to learn by studying the masters →
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