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home·artworks·Catholic Nuns Wearing Their Rarely-Seen Away Uniforms
Catholic Nuns Wearing Their Rarely-Seen Away Uniforms by Juan Carreño de Miranda

plate no. 4188

Catholic Nuns Wearing Their Rarely-Seen Away Uniforms

Juan Carreño de Miranda

oilBaroquegenre paintingnunsfiguresclothingreligiousinteriorgroup portrait
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in capturing realistic skin tones and facial expressions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the figures.

  2. step 02

    Block in the basic shapes and values of the figures and their clothing using thin washes of color.

  3. step 03

    Develop the skin tones by layering subtle variations of color, paying attention to highlights and shadows.

  4. step 04

    Render the drapery of the nuns' habits, focusing on the folds and how they define the form.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth, to capture their individual expressions.

  6. step 06

    Refine the background and add any remaining details, such as the architectural elements.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and harmony.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · titanium white · ultramarine blue · ivory black · yellow ochre

secondary · burnt umber · raw sienna

Mix skin tones by combining titanium white, yellow ochre, and a touch of burnt umber. Achieve the blue of the habits by mixing ultramarine blue with a small amount of ivory black and white for highlights.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly stiff or unnatural poses
  • →Muddy or flat skin tones
  • →Ignoring the subtle variations in value and color
  • →Getting lost in details before establishing the overall form

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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