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home·artworks·Cathedral of Saint John at 's-Hertogenbosch
Cathedral of Saint John at 's-Hertogenbosch by Pieter Saenredam

plate no. 6053

Cathedral of Saint John at 's-Hertogenbosch

Pieter Saenredam, 1646

oilBaroqueinteriorcathedralarchitectureinteriorarcheswindowsaltar
experienced study

Recreating this painting will help students develop skills in perspective drawing, color mixing to achieve subtle tonal variations, and rendering architectural details with accuracy.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch establishing the perspective and major architectural elements.

  2. step 02

    Block in the large areas of color, focusing on the overall tonal values.

  3. step 03

    Refine the architectural details, paying close attention to the shapes and proportions of the arches and columns.

  4. step 04

    Add the details of the altar and other foreground elements.

  5. step 05

    Work on the subtle gradations of light and shadow to create depth and atmosphere.

  6. step 06

    Add the figures and other small details.

  7. step 07

    Refine the colors and values, making sure everything is harmonious.

  8. step 08

    Add final highlights and details.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre · cerulean blue

Achieve the subtle variations in the stone by mixing raw umber and white with small amounts of yellow ochre and burnt sienna. Use cerulean blue to create the atmospheric perspective in the background.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective will ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to capture the subtle tonal variations will result in a flat, lifeless painting.
  • →Getting the proportions wrong will make the architecture look distorted.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (18x24 inches) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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