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home·artworks·Catch the juggler
Catch the juggler by Honore Daumier

plate no. 7238

Catch the juggler

Honore Daumier, 1866

oil, canvasRealismgenre paintingfiguresinteriorclothingtablelightshadow
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a dimly lit environment and understanding how light and shadow define form. It also provides practice in capturing the texture of fabrics and the character of faces using expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures.

  2. step 02

    Block in the main shapes and areas of color using thin washes.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Build up the layers of paint, gradually adding more detail and texture.

  5. step 05

    Pay close attention to the way light falls on the figures and objects, and use this to define their form.

  6. step 06

    Refine the details of the faces and clothing, using small brushstrokes to capture the texture and character.

  7. step 07

    Adjust the colors and values as needed to create a harmonious and unified painting.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use cadmium red to create the red clothing, and mix it with browns to darken the shade.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too bright or saturated.
  • →Losing the overall unity of the painting by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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