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home·artworks·Castle Gaillard in Andelys (Eure)
Castle Gaillard in Andelys (Eure) by Charles-Francois Daubigny

plate no. 6787

Castle Gaillard in Andelys (Eure)

Charles-Francois Daubigny, 1877

oil, panelRealismlandscapelandscapecastlehillsskysunsetriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a landscape using a limited color palette and visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the castle, horizon line, and major landforms.

  2. step 02

    Block in the sky with a thin wash of yellow ochre and white, blending towards the horizon with hints of orange and red.

  3. step 03

    Establish the dark masses of the distant hills and trees using a mix of burnt umber, black, and a touch of green.

  4. step 04

    Define the castle structure with darker values, paying attention to the shapes of the rocks and shadows.

  5. step 05

    Paint the foreground hills with varying shades of green and brown, using thicker paint and visible brushstrokes.

  6. step 06

    Add highlights to the foreground and castle to create depth and dimension.

  7. step 07

    Refine the details of the river and reflections, using lighter values and horizontal brushstrokes.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric landscape.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · black

Mix yellow ochre and white for the sky, adding small amounts of red for sunset hues. Use burnt umber and black to create dark tones for the distant landscape and castle. Mix greens by combining yellow ochre and viridian green.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much detail in the distant landscape, which will flatten the perspective.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a clear value structure, which will make the painting appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·black oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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