
plate no. 2629
Juan de Valdes Leal, 1661
Recreating this painting will help students develop skills in creating dramatic lighting and rendering figures in motion. It also provides practice in using a limited palette to create a cohesive and atmospheric scene.
technical profile
approach — 8 steps
Prepare a toned canvas with a warm brown underpainting.
Lightly sketch the main figures and the cross, focusing on proportions and placement.
Block in the darkest areas with a mix of burnt umber and black.
Begin to build up the mid-tones using mixtures of brown, ochre, and white.
Add highlights to the figures and the cross, using lighter shades of ochre and white.
Refine the details of the figures' faces and clothing, paying attention to the direction of light.
Create a sense of depth by blurring the background figures and softening the edges.
Add final touches and glazes to enhance the overall atmosphere.
color palette
primary · burnt umber · ivory black · yellow ochre
secondary · titanium white · raw sienna · red oxide
Achieve the dark tones by mixing burnt umber and black. Use yellow ochre and white for highlights. Mix small amounts of red oxide for subtle warmth in the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
A canvas with a medium texture is recommended. Consider using a pre-toned canvas to save time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne