apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Carolina
Carolina by Vincenzo Migliaro

plate no. 6487

Carolina

Vincenzo Migliaro

oil, canvasRealismportraitportraitfigurewomanearringred backgroundprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering skin tones, as well as practicing expressive brushwork to create texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders on the canvas.

  2. step 02

    Block in the background with broad strokes of red and earth tones, focusing on creating a textured surface.

  3. step 03

    Establish the dark areas of the hair and clothing with a mix of black and brown.

  4. step 04

    Begin building up the skin tones with layers of light and shadow, paying attention to the subtle variations in color.

  5. step 05

    Refine the features of the face, focusing on the eyes, nose, and mouth.

  6. step 06

    Add details such as the earring and the highlights on the clothing.

  7. step 07

    Adjust the overall composition and values to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · black · white · burnt umber

secondary · yellow ochre · raw sienna · cadmium yellow · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of blue. Achieve the dark hair color by mixing black with burnt umber and a touch of blue. The gold earring is created with cadmium yellow, yellow ochre, and burnt sienna.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle variations in color and value.
  • →Creating a background that is too distracting or overpowering.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red, black, white, burnt umber, yellow ochre)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy