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home·artworks·Carnival Clowns
Carnival Clowns by Willem Cornelisz Duyster

plate no. 2970

Carnival Clowns

Willem Cornelisz Duyster, 1620

oilBaroquegenre paintingfiguresclownstorchmasksperformanceshadows
experienced study

Recreating this painting will help students understand chiaroscuro and how to depict figures in dynamic poses under dramatic lighting. It also provides practice in rendering textures of clothing and skin with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main light areas on the figures, using a mid-tone color.

  4. step 04

    Develop the highlights on the figures, paying attention to the direction of the light source (the torch).

  5. step 05

    Add shadows and mid-tones to create form and depth.

  6. step 06

    Refine the details of the costumes and faces, using smaller brushes.

  7. step 07

    Add the highlights of the torch flame and its reflection on the figures.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust values.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black. Use cadmium red mixed with white and a touch of burnt umber for the red garments. Achieve the skin tones by mixing white, red, yellow ochre, and a tiny bit of blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value contrast, resulting in a flat painting.
  • →Overworking the details too early, before establishing the overall composition and values.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Ignoring the subtle shifts in color temperature in the light and shadow areas.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned ground (e.g., a light brown or gray) to help establish the initial values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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