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Carnations by Nicolae Vermont

plate no. 6645

Carnations

Nicolae Vermont, 1924

oilRealismflower paintingflowerscarnationsvasestill lifetable
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly achieving subtle variations in red and green, and in capturing form through loose, expressive brushstrokes. It also provides practice in creating a sense of depth and atmosphere with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase and flower arrangement.

  2. step 02

    Establish the dark background and tabletop with broad, blended strokes.

  3. step 03

    Block in the main areas of color for the flowers, vase, and tabletop, focusing on the overall value structure.

  4. step 04

    Begin adding details to the flowers, using thicker paint and visible brushstrokes to suggest the petals.

  5. step 05

    Refine the shapes and highlights on the vase, paying attention to the reflected light.

  6. step 06

    Add final details to the tabletop, including subtle variations in color and texture.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final highlights to the flowers to create focal points.

color palette

primary · cadmium red · viridian green · burnt umber · ivory black

secondary · alizarin crimson · yellow ochre

Achieve the various reds by mixing cadmium red with alizarin crimson and white. Greens are created by mixing viridian green with burnt umber and touches of yellow ochre. Darken colors with ivory black.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details of the flowers, resulting in a stiff or unnatural appearance.
  • →Failing to create sufficient contrast between the flowers and the background.
  • →Using colors straight from the tube without mixing, leading to a flat and uninteresting palette.
  • →Not capturing the subtle variations in color and value within the vase.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·painting medium

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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