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home·artworks·Carmelita Requena
Carmelita Requena by Thomas Eakins

plate no. 4945

Carmelita Requena

Thomas Eakins, 1870

oil, canvasRealismportraitportraitfigurewomanclothingheadscarfprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically capturing likeness and form using a limited palette and expressive brushstrokes. Students will also learn to create depth and atmosphere through subtle value changes and soft edges.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure.

  2. step 02

    Establish the overall background tone with a thin wash of burnt umber and alizarin crimson.

  3. step 03

    Block in the main shapes of the figure, focusing on the large areas of light and shadow.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle transitions of light and shadow.

  5. step 05

    Add the details of the clothing, using thicker paint and more visible brushstrokes.

  6. step 06

    Introduce the red accents in the headscarf and clothing, carefully controlling the intensity of the color.

  7. step 07

    Soften edges and blend areas as needed to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · titanium white · alizarin crimson

secondary · yellow ochre · ivory black

Mix burnt umber and alizarin crimson for the background and shadow areas. Add white to these mixtures to create lighter tones for the skin and clothing. Use yellow ochre for highlights and ivory black for the darkest accents.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·value studies

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle value changes in the face, resulting in a flat or lifeless portrait.
  • →Using too much detail too early in the process.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, titanium white, alizarin crimson, yellow ochre, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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