apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cards
Cards by Nikolaos Gyzis

plate no. 0571

Cards

Nikolaos Gyzis, 1885

oilRealismgenre paintingfiguresinteriorcardstableclothingwindow
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in a dimly lit interior, and practice subtle color mixing to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main colors of the background, walls, and furniture, focusing on warm browns and muted tones.

  4. step 04

    Begin to develop the figures, starting with the skin tones and then moving to the clothing.

  5. step 05

    Add details to the faces, paying close attention to the eyes and expressions.

  6. step 06

    Refine the details of the clothing, including the folds and textures.

  7. step 07

    Paint the cards on the table, using small brushes to capture the intricate designs.

  8. step 08

    Add final highlights and shadows to create depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber with white, raw sienna, and small amounts of cadmium red. Use ivory black sparingly to darken shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth and light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy