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home·artworks·Cardinal Pietro Ottoboni, Future Pope Alexander VIII
Cardinal Pietro Ottoboni, Future Pope Alexander VIII by Sassoferrato

plate no. 5856

Cardinal Pietro Ottoboni, Future Pope Alexander VIII

Sassoferrato

oilBaroqueportraitportraitfigureclothingchairdraperyhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness. It also provides practice in rendering fabric textures and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and chair.

  2. step 02

    Establish the background with a dark, blended tone.

  3. step 03

    Block in the main shapes of the figure, including the face, hands, and clothing, using simplified color masses.

  4. step 04

    Refine the facial features, paying attention to the subtle shifts in value and color to create a realistic likeness.

  5. step 05

    Develop the drapery and clothing, focusing on the folds and highlights to create a sense of volume and texture.

  6. step 06

    Add details to the chair and other elements, such as the lace trim and the ring.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to the face and clothing.

color palette

primary · cadmium red · titanium white · ivory black

secondary · yellow ochre · raw umber · ultramarine blue

Mix various shades of red by combining cadmium red with small amounts of ivory black or yellow ochre. Achieve skin tones by blending titanium white, yellow ochre, and a touch of cadmium red.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (cadmium red, titanium white, ivory black, yellow ochre, raw umber, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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