apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cardinal Camillo Massimi
Cardinal Camillo Massimi by Diego Velázquez

plate no. 6432

Cardinal Camillo Massimi

Diego Velázquez, 1650

oil, canvasBaroqueportraitportraitfiguremanclothinghatbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It will also provide practice in glazing and layering techniques to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Render the clothing with attention to the folds and highlights.

  6. step 06

    Paint the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the blue of the robe by mixing ultramarine blue with varying amounts of white and black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details too early
  • →Creating muddy colors
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne